ART 162 - Watercolor

Harlan Hubbard (1900-1988), a Kentucky writer, environmentalist, and artist, spent many years trying to rediscover and revive the vanishing language of landscape in his watercolor paintings. Known for their sense of drifting movement and their depiction of the natural way of life fondly associated with Hubbard, they inexplicably remain his least studied artworks, despite presenting some of the best evidence of Hubbard's place in the history of landscape painting. The Watercolors of Harlan Hubbard not only argues for Hubbard's place in the art historical canon but also highlights and analyzes the artist's own voice. In this unique collection, more than two hundred watercolors are interspersed with anecdotes from those who knew Hubbard or drew inspiration from his work, offering a personal meditation on a deeply influential artist and serving as an invitation to those who have yet to discover him.

John Singer Sargent's approach to watercolour was unconventional. Disregarding late-nineteenth-century aesthetic standards that called for carefully delineated and composed landscapes filled with transparent washes, his confidently bold, dense strokes and loosely defined forms startled critics and fellow practitioners alike. One reviewer in England, where Sargent spent much of his adult life, called his work 'swagger watercolours'. For Sargent, however, the watercolours were not so much about swagger as about a new way of thinking. In watercolour as opposed to oils his vision became more personal and his works more interconnected. Presenting nearly 100 works of art, this book is the first major publication of Sargent's watercolours in twenty years. Each chapter highlights a different subject or theme that attracted the artist's attention during his travels through Europe and the Middle East: sunlight on stone, figures reclining on grass, patterns of light and shadow. Insightful essays by the world's leading experts enhance this book and introduce readers to the full sweep of Sargent's accomplishments in the medium, in works that delight the eye as well as challenge our understanding of this prodigiously gifted artist.

"Looking Both Ways: Art of the Contemporary African Diaspora" considers the work of artists from North, South, East, and West Africa who live and work in Western countries, including Belgium, France, Germany, the Netherlands, Portugal, the United Kingdom, and the United States. As its title indicates, "Looking Both Ways" refers to the artists' practice of looking at the psychic terrain between Africa and the West, a terrain of shifting physical contexts, aesthetic ambitions, and expressions. It examines the relationship between physical contexts, emotional geographies, ambition, and freedom of expression while focusing on the increasing globalization of the African Diaspora. "Looking Both Ways" is not a survey, but rather an intimate consideration of the work of twelve artists: Fernando Alvim, Ghada Amer, Oladªlª Bamgboyª, Allan deSouza, Kendell Geers, Moshekwa Langa, Hassan Musa, N'Dilo Mutima, Wangechi Mutu, Ingrid Mwangi, Zineb Sedira, and Yinka Shonibare.

More Than a Likeness: The Enduring Art of Mary Whyte is the first comprehensive book on the life and work of one of today's most renowned water colourists. From Whyte's earliest paintings in rural Ohio and Pennsylvania, to the riveting portraits of her southern neighbours, historian Martha R. Severens provides us with an intimate look into the artist's private world.With more than two hundred full-colour images of Whyte's paintings and sketches, as well as comparison works by masters such as Winslow Homer, Andrew Wyeth, and John Singer Sargent, Severens clearly illustrates how Whyte's art has been shaped and how the artist forged her own place in the world today. Though Whyte's academic training in Philadelphia was in oil painting, she learned the art of watercolour on her own--by studying masterworks in museums. Today Whyte's style of watercolour painting is a unique blend of classical realism and contemporary vision, as seen in her intimate portraits of Southern blue-collar workers and elderly African American women in the South Carolina lowcountry. ""For me ideas are more plentiful than the hours to paint them, and I worry that I cannot get to all of my thoughts before they are forgotten or are pushed aside by more pressing concerns,"" explains Whyte. ""Some works take time to evolve. Like small seeds the paintings might not come to fruition until several years later, after there has been ample time for germination."" Using broad sweeping washes as well as miniscule brushstrokes, Whyte directs the viewer's attention to the areas in her paintings she deems most important. Murky passages of neutral colours often give way to areas of intense detail and colour, giving the works a variety of edges and poetic focus. Several paintings included in the book are accompanied by enlarged areas of detail, showcasing Whyte's technical mastery. More Than a Likeness is replete with engaging artwork and inspiring text that mark the mid-point in Whyte's artistry. Of what she will paint in the future, the artist says, ""I have always believed that as artists we don't choose our vocation, style, or subject matter. Art chooses us.

Edwardian London Through Japanese Eyes considers the career of the Japanese artist Yoshio Markino (1869-1956), a prominent figure on the early twentieth-century London art scene whose popular illustrations of British life adroitly blended stylistic elements of East and West. He established his reputation with watercolors for the avant-garde Studio magazine and attained success with The Colour of London (1907), the book that offered, in word and picture, his outsider's response to the modern Edwardian metropolis. Three years later he recounted his British experiences in an admired autobiography aptly titled A Japanese Artist in London. Here, and in later publications, Markino offered a distinctively Japanese perspective on European life that won him recognition and fame in a Britain that was actively engaging with pro-Western Meiji Japan. Based on a wide range of unpublished manuscripts and Edwardian commentary, this lavishly illustrated book provides a close examination of over 150 examples of his art as well analysis of his writings in English that covered topics as wide-ranging as the English and Japanese theater, women's suffrage, current events in the Far East and observations on traditional Asian art as well as Western Post-Impressionism. Edwardian London Through Japanese Eyes, the first scholarly study of this neglected artist, demonstrates how Markino became an agent of cross-cultural understanding whose beautiful and accessible work provided fresh insights into the Anglo-Japanese relationship during the early years of the twentieth century.

Explore and create expressive palettes and paintings with Color Harmony for Artists. Watercolor author, artist, and teacher Ana Victoria Calderon guides you through choosing, mixing, and using color with watercolor and mixed media to create the most expressive and appealing combinations and effects for a wide range of moods and subjects. You'll explore a variety of subjects and themes including flowers, foliage, landscapes, skies, cities, figures, art movements, and historical eras. Begin with a quick overview of the basics of color, color mixing, and mixed media. Explore a variety of color and media combinations, including brilliant brights, muted neutrals, high-contrast complements, and special effects. Find inspiration in evocative photos, abundant palettes, and beautiful paintings. With Color Harmony for Artists, every artist, from beginner to advanced, will be inspired to embrace the creative possibilities of color and paint!